Three-Dimensional Glossary
Source: Understanding Three Dimensions by Jonathan Block
and Jerry Leisure
(©1987 by Prentice-Hall, Inc.) ISBN: 0-13-937202-4
Actual process: the means by which an object is constructed,
or the activity taking place in the piece.
Alignment: arrangement along an axis.
Amorphous: without definite form; lacking in structure.
Axis: a line, real or imagined (explicit or implicit),
around which the material that composes an object appears to be organized.
Cantilever: an element which projects horizontally into
space, supported at only one end.
Composition: the arrangement or structuring of various
elements.
Contour: the outline of an object.
Depiction: a representation
Direction: the line (explicit or implicit) along which
an object or element seems to be pointing or moving.
Disparate: separate, distinct, dissimilar.
Explicit form: matter occupying space.
Explicit line: matter aligned upon an axis.
Explicit plane: matter distributed upon a surface.
Explicit volume: matter occupying space.
Form: three-dimensional object.
Gesture: the expressive and evocative qualities that
result from the arrangement of forms in space.
Grouping: the perceptual gathering of several elements.
Ideation: the process of coming up with ideas.
Illusion: appearance which is contrary to fact.
Ilusionistic texture: surface which appears to have a
texture that it does not have physically—as in wallpaper printed
to look like bricks.
Implicit form: space—not occupied by matter—which
is perceived as
coherent as a result of the interaction of surrounding elements of form.
Implicit line: space aligned along an axis as a result
of the interaction of surrounding elements of form—usually the result
of the interaction of points.
Implicit plane: space aligned along a surface as a result
of the interaction of surrounding elements of form—usually the result
of the interaction of lines.
Implicit volume: space—not occupied by matter—sensed
as coherent and resulting from the interaction of surrounding elements
of form—usually planes.
Irregular shape: a shape lacking uniformity, such as
a shape with varying angularity.
Juxtaposition: adjacent placement of visual elements.
Line: that element of form which is primarily understood
in terms of its length.
Maquette: a model (at small scale) for a larger sculpture.
Mass: the perceived weight or density of an object.
Matte finish: an opaque, nonreflective surface with a
relatively smooth texture.
Model (noun): a three-dimensional sketch.
Model (verb): to manipulate and form a plastic material
such as clay.
Moderate: to limit or restrain.
Modifier: something which changes the perceptual effect
of form in space.
Modulation: smooth transition or change.
Negative shape: in two-dimensional design, an area surrounded
by other activity which creates a sense of closure, giving the shape coherence.
Opaque: having the property of blocking light.
Organic: having shape or form referential to biological
structures, often refers to a shape or form that has structure without
angularity.
Patina: a surface composed of a thin film of semitransparent
variegated color, which can often convey a sense of age or use.
Perceived movement: sensed movement in an object which
is actually static.
Plane: that element of form which can be described in
two dimensions, predominantly characterized by surface.
Positive shape: in two-dimensional design, those elements
which are actually represented, by contrast in color or value.
Potential energy: the result of arranging form in such
a way as to suggest a possibility of falling or other movement.
Primary axis: the major axis of a form or object; for
example, the spine might be thought of as the primary axis of the human
skeleton.
Radiation: the quality of form which activates an envelope
of space around it.
Referential: having the property of resemblance to an
identifiable object.
Reflectivity: the quality of surface which turns light
back into space, ranging from low (as in a matte surface) to high (as
in a mirror).
Regular shape: a shape with uniform properties that conform
to certain prescribed rules; for example, a square must have four equal
sides and 90 degree angles.
Rhythm: the quality of form which results from regular
intervals or repetitions.
Scale: size relative to other elements within or outside
of an object.
Selective vision: the phenomenon of “filtering”
visual events which do not relate directly to what the viewer is looking
at.
Sketch: a preliminary drawing or model used to explore
possibilities for a finished object.
Spatial orientation: the relationship of an object to
the ground plane and to other objects in its vicinity.
Static: without movement.
Surface: the planar areas of an object which are exposed
to the viewer.
Textural field: a broad area with a unified texture.
Texture: the tactile aspect of surface.
Translucent: semitransparent; able to pass diffuse light.
Transparency: the quality of material which describes
its ability to allow light to pass through it.
Unifier: that which allows the viewer to visually or
conceptually connect or group various components of an object.
Visual density: perceived or apparent mass.
Volume: defined or coherent space.
Working drawing: a detailed sketch used to direct the
making of an object.
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